TURKISH MUSIC STATE CONSERVATORY / TURKISH MUSIC / TMB1004 - SOLMIZATION AND THEORY OF TURKISH MUSIC II

Contents Of The Courses in a weekly Period

Week 
Subjects 
Sources 
1Expression of the Bayati makam.[1] p.126-128; [2] 51-53
2Solfege exercises in the bayati makam.[1] p.126-128; [2] 53-55
3Expression of the Hüseyni makam.[1] p.156-159; [2] 55-57
4Solfege exercises in the hüseyni makam.[1] p.156-159; [2] 57-60
5Expression of the muhayyer makam.[1] p.162-163; [2] 61-63.
6Solfege exercises in the muhayyer makam.[1] p.162-163; [2] 63-65.
7Expression of the neva makam.[1] p.168; [2] 65-67
8Solfege exercises in the neva makam. Expression of the tahir makam.[1] p.168; [2] 67-71
9Solfege exercises in tahir makam. Expression of the düyek.[1] p.172, 588; [2] 72-73
10Expression of the hicaz makam. Expression of the Aksak, Evfer ve Raks Aksağı.[1] p.140, 615; [2] 73-74
11Solfege studies in hicaz makam. Explanation of Oynak and Aydın methods. Explanation of hicaz hümayun makam.[1] p.140, 615; [2] 75-77
12Solfege studies in hicaz hümayun makam. Expression of the hicaz uzzal makam. Expression of the aksak semai. [1] p.134; [2] 78-80
13Solfege studies in hicaz uzzal makam. Expression of the zirgüleli hicaz makam and Solfege studies.[1] p.146; [2] 80-83
14General evolation.